事過方覺
After ALL
2023
剧情 Autofiction
24 mins
材料 Medium 数字影像 HD video
杜比立体声效 Dolby 5.1/Stereo
版数 Edition 3 + 1 AP
出品 Production
Le Fresnoy - Studio national des arts contemporains
首映 Premiere
首尔国际骄傲电影节 / Seoul International Pride Film Festival (SIPFF)
北京短片联展 / Beijing International Short Film Festival (BISFF)
2021年的自杀事件发生一周后，按照学院相关章程的要求，一位心理治疗师对我进行了一次心理创后评估。
基于这次经历，我创作了这部带有自传性质的短片。在影像里，我重建了那次心理咨询。画面中出现的两个人物在交谈，并在对话中塑造一个“缺席”的第三个人物。
“自杀”是个体对社会既定规范的“绝对拒绝”。作品意在探讨每个人的个体命运，究竟是如何与那些无形的社会结构（阶级、文化、性别、移民身份以及意识形态的重重区隔）交织在一起。同时它也抛出了尖锐的质疑：作为旁观者，通过“见证”而被迫“参与”究竟秉持怎样的伦理边界？所谓的“中立”是否根本就不可能存在？那些被悬置在时间里、未能结痂的属于个人或集体记忆的创伤该如何安置。
One week after I witness a classmate’s suicide on the UdK (Berlin University of the Arts) campus in 2021, a therapist conducts a judicially mandated debriefing with me.
The film stages this session as a field transcription: an encounter between two visible protagonists through which a third, absent body gradually occupies the space. Through our dialogue, the film examines how individual destinies intersect with the social structures that shape them—segregations of class, culture, gender, migration and ideology—and how suicide can appear as an extreme refusal of these norms. It questions the ethics of witnessing, the impossibility of “neutral” testimony, and the unresolved wounds that persist, suspended in time long after the event.
After All thus returns to questioning the very implication of existing within the structures that govern us. How do we heal these wounds suspended in time — whether they belong to individual or collective memory — that persist long after the event without ever truly scarring over? Despite the verbal homage rendered through the film, the very essence of individuality remains elusive.
Production : Fresnoy – Studio national des arts contemporainsCo-production with : OCTOPOID Ltd
International Distribution
Le Fresnoy | Natalia TREBIK